Posts Tagged ‘mirrorless’
Nikon plainly wishes to make amends for its unspectacular J2 launch late last summer season: it’s introducing not one however two 1 series designs that provide a more powerful incentive to go Nikon amongst lower-end mirrorless cameras. The 14.2-megapixel J3 and 10.1-megapixel S1 primarily obtain hand-me-down functions from the semi-pro V2, although that’s not always a bad thing. The leftovers provide them uncommonly precise 73-point autofocusing and an updated Expeed 3A processor that can handle 15FPS burst photography with constant focus– 3 times the frame rate of the J2 in the exact same conditions. Apart from their resolution, the major separators in between the J3 and S1 are the J3’s inclusion of a simple panorama mode and a somewhat larger ISO array for the S1, which starts at ISO 100 versus the J3’s 160.
Both brand-new bodies ship in February, when the S1 will lower the 1 system’s entry price to $ 500 with an 11-27.5 mm lens, and the J3 will have a suitably in-between price of $ 600 with 10-30mm optics. The shooters will soon be joined by brand-new lenses and accessories, too. A 6.7-13mm (18-35mm equivalent), f/3.5 -5.6 wide-angle lens and a 10-100mm (27-270mm equivalent) f/4 -5.6 telephoto zoom do not have conclusive release dates, however ought to respectively cost $ 500 and $ 550. Diving scuba divers who want a J3 or S1 for their trips will likewise get a WP-N2 undersea case in February, albeit at a $ 750 cost that’s more pricey than the cameras themselves.
Is this a brand-new Polaroid camera? That ’ s what Photorumors is stating, backed up by a leak from Russian social networking site VK. The camera is a mirrorless interchangeable lens system, which marks a substantial departure from the business ’ s crown jewel instant film-based models, which were finally discontinued a few years back.
Polaroid has in fact encountered a couple different bankruptcy circumstances, however in 2009 signed a contract with Top Global Group to produce Polaroid-branded digital still cameras. It ’ s feasible this is the item of that recurring collaboration, however the origin of these reports suggest exercising caution before putting excessive stock in them.
The original hole detailed an Android 4-powered device with a 3.5-inch touchscreen, an 18.1 MP sensor, pop-up flash, Wi-Fi and HDMI/headphone out. It features a rounded edge design that looks noticeably comparable to the Nikon 1 J2 mirrorless camera. Later, a “ news release ” from VK provided more detail to Photorumors, consisting of the added info that it would use MicroSD for storage space.
We ’ ve already seen an Android-based camera from Samsung, so it isn ’ t a completely insane idea. However Polaroid would be signing up with a crowded area in the mirrorless compact space, with sturdy offerings from business with a great deal more experience. Still, in terms of importance, it ’ s hard to match the mirrorless area, which provides consumers cameras that aren ’ t as large as DSLRs without sacrificing too much in terms of image quality.
Even still, I wouldn ’ t put excessive faith in this being legit simply yet.
Canon waited quite a while to get into the mirrorless interchangeable lens camera (MILC) market, biding its time as competitors like Olympus, Panasonic and Sony built up strong reputations for their own small, slim mirrorless designs. But earlier this year, it introduced the EOS M, its first MILC offering. That camera should hit store shelves by the end of this month, but I got to take it for a brief test drive at an event last night ahead of this week’s PhotoPlus conference in New York.
The EOS M is a surprisingly small camera. It probably seemed even more so because I was using it initially with Canon’s 24-70mm f/2.8 L lens attached via the official adapter ring (which brings with it full autofocus functionality by the way), but with the EF-M 22mm f/2 kit lens attached it’s actually pretty pocketable. It reminds me a lot of a bulkier PowerShot S100, right down to the very nice feeling matte magnesium alloy body. Also, I noticed that the 22mm lens is actually a very dark shade of grey, whereas the body is black. That’s on purpose, a Canon rep told me, and meant to ensure the lens complements both the white and black EOS M body.
One thing about the EOS M that immediately takes a little getting used to is the lack of physical controls, especially if you’re coming from a Canon DSLR. Much of the camera’s settings are managed via its capacitive touchscreen, which is incredibly responsive and provides convenient access to Canon’s well-designed software menu system. That said, pros will find themselves missing all the dials and buttons of their DSLR rigs, and advanced consumers might long for the lens-based control ring of the PowerShot S100 and new S110, but that’s not an issue of the EOS M’s design, it’s the result of design compromises needed to provide a MILC camera that’s uncluttered yet also small enough to be truly portable. Plus, using the touchscreen to review images, with its pinch-to-zoom features, is a much better experience than I’ve had in the past with non-touch digital cameras.
We were working with a professionally lit display space when taking photos at this event, and that means you had a lot of different lighting conditions, but all designed to benefit photographs. And I found that the EOS M did take great pictures with its 18MP APS-C sensor (it shares both this and its touchscreen display with the Rebel T4i), but the camera took a while to find focus in all cases. With autofocus, whether you’re using face detection or tap-to-focus on the touchscreen, the EOS M hunts for a while before settling in – the sensor-based AF just can’t keep up with DSLRs. If you’re looking for a comparable experience, imagine shooting only in live view mode on the T3i or T4i, using the default autofocus settings.
The EOS M’s autofocus system is more geared towards shooting video, and in that capacity combined with the STM kit lens, it works very well. Though I can’t speak to final output quality based on my experience, shooting video was a very good experiences with Canon’s MILC.
Finally, while I didn’t get too much time with the EOS M, it’s a camera that feels great in the hand and that lives up to the expectations of the MILC category. Canon’s big advantage over others in this space may just be the adapter ring, which makes it possible to use the EOS M with Canon’s extensive catalog of EF lenses, a huge selling point for existing Canon DSLR shooters who want something more portable to shore up their collection.
There have been plenty of false alarm systems in current months, but Canon’s very first mirrorless interchangeable lens camera (ILC) is finally here– in fact, we’re holding it in our hands. The EOS M is plainly reminiscent of a point-and-shoot, such as the company’s high-end PowerShot S100. Sure, Canon could have included a few of the devoted controls that its professional individual base would demand, however photojournalists aren’t the target here, for a couple of explanations. Canon’s primary incentive, a minimum of from an official viewpoint, was to create a video camera that serves to bridge the space between pocketable compacts and full-size DSLRs with a straightforward user interface made to enlighten, not intimidate. Even essential, however, was preventing cannibalization of the business’s low-end and mid-range Digital SLR models, which clearly still have a location in the schedule one tier above this ILC.
Customers eager to spare hardware controls for a touchscreen-driven UI won’t be missing out on out on much else– functionally, the EOS M is a near-clone of Rebel T4i with the exact same 18-megapixel APS-C CMOS sensing unit, DIGIC 5 processor and 3-inch touchscreen. Even the enhanced two-stage concentrating system has made its method from the T4i, which makes use of both phase-difference and contrast AF in order to achieve focus more effectively when capturing online video. The property design and lens mount are unlike any additional that Canon has actually produced, nevertheless, incorporating characteristics from additional styles without completely eliminating the requirement for a DSLR, or a compact for that matter. If you can easily get by without granular controls, you’ll do just great right here– the design truly is incredible. With an $ 800 cost, the EOS M falls within the upper rate of the mirrorless group, and it remains to be seen whether it will be a noticeable pick when it at last hits stores in October, a month after rivals tease their very own products at the gigantic Photokina expo in Germany. Exactly how does it fare today? You’ll find our impressions merely past the break.
camera hands-on (video presentation) initially appeared on Engadget on Mon, 23 Jul 2012 15:52:00 EDT. Please see our terms for usage
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Reports of a Canon mirrorless camera have actually circled the internet since long before Nikon’s foray into the compact ILC area. And while that manufacturer’s design fell far short of some expectations, it appears that Canon’s iteration may in fact have actually been worth the not-so-insignificant delay. Unlike the Nikon 1 Set, Canon’s new EOS M isn’t really a drastic departure from the business’s existing mid-range DSLR schedule. In fact, under the bonnet it’s fairly like the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04 MP smudge-resistant touchscreen and the T4i’s brand-new hybrid autofocus system, which pairs both comparison and phase-difference AF for speedier, more precise performance. Externally, nevertheless, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the featured EF-M 22mm f/2 STM kit lens, compared with 27.4 ounces for the T4i, and 19 for the G1 X. It’s physically smaller than the G1 X also, and just slightly bigger than the pocketable S100. The video camera supplies a sensitivity selection in line with the competition, varying from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video– grabbed in 1920 x 1080 style at 24, 25 or 30 progressive frames per second. There’s additionally a constant shooting method at 4.3 frames per 2nd with set focus and exposure.
The EOS M’s control design ought to be more familiar to Canon point-and-shoot owners than DSLR individuals– as one component of the dimension concession, committed buttons are replaced with touchscreen options and a bit of food selection diving. There’s even no digital viewfinder, though a full-size hot shoe is consisted of with full support for Canon’s lineup of Speedlite flashes, consisting of the new $ 150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the video camera lacks specific direct controls, it still supports full hand-operated shooting, even in video presentation mode. There’s also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is delivering an EF-M 18-55mm f/3.5 -5.6 IS STM lens for $ 300, or you can include the $ 200 EF-EOS M mount adapter to enable use with existing lenses. The $ 800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon’s on-line store will also equip a white design (which will certainly be paired with the same black lens). You can easily peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon.
Gallery: Canon EOS M mirrorless camera
Michael Gorman contributed to this report.
CamerasCanon reveals EOS M mirrorless: 18 MP APS-C, EF compatibility, $ 800 in October with 22mm lens appeared on Engadget on Mon, 23 Jul 2012 00:00:00 EDT. Please see our terms for usage of feeds. Permalink|| E-mail this|Opinions
In the riveting story of consumer electronics, the lowly point-and-shoot camera is about to be cut. Its days are numbered and cheap cameras are becoming increasingly less relevant as smartphones steal the limelight. The point-and-shoot camera will soon be just a supporting character.
Samsung sees the writing on the wall, too. Speaking with the Wall Street Journal, Han Myoung-sup, head of the company’s digital imaging division, indicated that the massive Korean empire will shift away from “low-end compact cameras” in an effort to concentrate on mirrorless cameras. This bet, which is the correct move by the way, shows the company’s foresight as it’s very similar to the one Samsung made several years ago when it decided to shift away from its own smartphone platforms and instead concentrate on Android. This will pay off big for Sammy.
Mirrorless cameras have so far seen a slow start. The technology forgoes the tradition bulky and complex mirror system found in digital SLR cameras. A properly named mirrorless system sits in its place, allowing the camera body to be significantly smaller than DSLR. In most cases, mirrorless camera bodies are as thin as the compact cameras they’re attempting to replace. The redesigned camera sensor is then paired with an interchangeable lens system, which allows camera makers to deploy higher quality (high margin) glass lenses.
As the WSJ points out, Samsung currently holds just 5% of this growing market, which is projected to rise 60% this year while point-and-shoot sales are decreasing. This focus shift should allow the company the freedom to further explore the market and position their mirrorless cameras as lovely companions for their widely popular Android smartphones.
Samsung’s current mirrorless camera lineup employs several smart features that make the models a compelling companion for current Samsung customers. Samsung is building around a single platform that leverages proprietary sharing functions. A Samsung smartphone can easily share pics to a Samsung TV while a Samsung mirrorless camera is using the smartphone’s wireless connectivity. It’s a family built on sharing and Samsung is the only company with the customer and product base large enough to pull off such a hat trick.
Samsung moved 20 million Galaxy S II smartphones in 2011. Samsung is the leader in TVs for six years running and sold two HDTVs every second last November. Much to Sony’s chagrin, consumers have been latching onto Samsung for the last several years and then just a few months back at CES 2012, the company unveiled its latest innovation that essentially connects all its products. Mirrorless cameras are a big part of that push.
For the most part mirrorless cameras can command a higher margin than point-and-shoots. They’re positioned as a premium product even if the manufacturing cost is similar to cheap p&s models. But right now, the models are still somewhat rare and stuck in a niche spot between the low-end budget cameras and pricy DSLR. Samsung is attempting to break it out and own the market.
This is the right move for Samsung. Moving away from budget cell phones paid off big time. Samsung is in a dominant position in smartphones. Doing the same with digital cameras will likely yield the same result. Look for Samsung to use similar tactics and flood the market with mirrorless cameras targeting different price points. But this is just part of a larger quest for Samsung. The company is attempting (and arguably succeeding) at becoming the global leader in consumer electronics. John put it correctly at CES: Samsung is the next Apple.
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Samsung’s main camera plant in China is being converted to produce high-end mirrorless cameras instead of cheaper compacts. That’s a steel-and-concrete sign that the manufacturer is trying to boost digital imaging profits by focusing on cameras with higher margins, and it implies a level adaptability that other companies can only dream of. Sammy’s latest NX range of interchangeable-lens (ILC) mirrorless models start at around $ 700, which is at least twice the going rate for a decent point-and-shoot. While that higher price point may seem off-putting, demand for mirrorless cameras is actually expected to explode by 60 percent this year, according to IDC projections — while sales of compacts are retreating in the face of ever more powerful smartphone snappers. Ultimately, Samsung’s business plan could be good news for us end-users too, if a newly expanded NX range brings the entry point for ILCs down by $ 200 or so — although that could just be wishful thinking on our part.
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Hear any mention of retro-styled cameras with exorbitant price tags and it’s hard not to get suspicious. That kind of talk brings to mind Leica’s incessant re-branding of Panasonic Lumix models, or those unicorn limited editions out of Japan that just leave us baffled. But it’s okay, you can relax with the Fujifilm X-Pro1. At $ 1,700 for the body only it’s crazily expensive, sure, but not when you compare to an $ 8,000 Leica M9-P. Besides, it’s a legitimate heir to a strong line of Fuji shooters that includes the much-loved X100 and the more accessible X10. That’s a strong pedigree, and no matter how deeply you peer into its mirrorless aperture, the X-Pro1 should offer up enough technology to stop you being cynical.
Like what, you ask? Well, a genuinely surprising bespoke 16-megapixel APS-C sensor, for starters, plus a hybrid viewfinder designed to keep everyone happy all of the time, and a Fuji X lens mount that already has a Leica M9 adapter available (plus others, like Nikon, if you scan eBay). It all adds up to something special, but before you go tweeting this article to whimsical rich uncles, there are also some complicating factors you ought to be aware of. Even in a utopian paradise where everyone could afford this sip of photographic luxury, it’s far from certain whether everyone would choose it over other interchangeable lens cameras. Read on past the break and we’ll explain why.
Gallery: Fujifilm X-Pro1 review
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It’s no secret that Canon wants to get into the mirrorless camera game, but a little bit of evidence popped up that points to a Canon-designed 18-45mm f/3.5-5.6 lens meant for a mirrorless camera systems. This evidence comes from Japanese blog Egami, which has details of a Canon patent for the lens in question. With an APS-C size sensor, this would translate to approximately 29-70mm focal length for lenses using a standard 35mm-sized sensor. While it would be great to see a Canon mirrorless camera arrive sooner than later, this lens patent doesn’t mean anything is necessarily imminent — it looks like this patent was filed back in 2010, so it seems Canon has been working on this for some time.
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Remember the NEX-7? Ever since a days-long shooting session back in September, Sony’s prized mirrorless cam has eluded us — and the rest of the world. As you may recall, the flagship Alpha ILC was hit by the Thailand floods, resulting in delay after delay, eventually missing the holiday shopping season entirely before resurfacing late last month. Another week later and our beloved Sony Alpha NEX-7 has finally arrived, ready to take on the streets of New York City. So what exactly is the NEX-7, and why does it cost as much as a mid-range DSLR? First off, the-24.3 megapixel APS-C ILC captures, well, 24.3-megapixel images, offering the highest resolution of any mirrorless model on the market. Its APS-C sensor is identical to the one found in Sony’s A77 DSLR, measuring larger than Micro Four Thirds and on par with most full-size digital SLRs.
If having the ability to capture mural-size images ranks fairly low on your digicam wish list, you may take comfort in some of the NEX-7’s other features, such as its gorgeous and durable magnesium alloy body, built-in XGA OLED electronic viewfinder, 3-inch, 921k-dot articulating LCD and unique tri-navi control interface that enables direct access to key settings adjustments, including both aperture and shutter speed in manual mode. There’s also 1080/60p HD movie capture with full manual control and microphone input support, a 10 frames-per-second continuous shooting mode (with exposure and focus locked) and a BIONZ image processor that’s capable of delivering low-noise images all the way through ISO 16,000. These features combine to make the NEX-7 one of the most powerful mirrorless cameras to date, but are they enough to justify the $ 1,200 body-only price tag? Join us past the break to find out.
Gallery: Sony NEX-7 review