Posts Tagged ‘mirrorless’
Samsung’s mobile chief JK Shin hinted that the company would soon be announcing an Android-powered mirrorless interchangeable-lens camera, and now the Galaxy NX is all but official. In press shots appearing on a Vietnamese gadget site, the device is pictured with a mirrorless mount and a trio of NX lenses. Judging from the body, the camera is likely to be closer in size to a DSLR than Samsung’s existing CSC lineup, with a large touchscreen occupying much of the rear.
Hardware controls are few and far between, and may be limited to a shutter release, video capture button, top-mounted dial and a pop-up flash release, along with the compulsory lens release to the left of the swappable optic. It’s said to include Android 4.2, a 20.3-megapixel APS-C sensor, ISO sensitivity through 25,600 and 1080p video capture. Pricing info is still up in the air, as is an official announce date, which could very well be as soon as Samsung’s June 20th event in London. Hit up the source for a few more shots.
Source: Tinh te (Vietnamese)
When it rains, it pours — we knew Pentax was due for new interchangeable lens cameras, but it just surprised us by unveiling three of them at once. The mid-range K-50 and entry K-500 DSLRs at the front of the pack represent slight upgrades to the 16-megapixel K-30 on the inside, with both gaining a higher ISO 51,200 sensitivity and Eye-Fi card support. They mostly differ on the outside. The K-50 keeps the K-30′s weather sealing, lithium batteries and extreme color customization; the K-500 caters to the budget crowd by going without weatherproofing, running on AA batteries and shipping only in black. Both bodies are available in stores this July, starting at $ 600 for a K-500 with an 18-55m kit lens and $ 780 for a similarly equipped K-50.
The smallest camera of the bunch, the Q7, may be the most intriguing. While the mirrorless body still shoots at the 12.4 megapixels of the Q10, it upgrades to a larger 1/1.7-inch sensor that delivers a big performance boost — sensitivity has jumped to ISO 12,800, and there’s faster autofocusing to boot. Pentax also touts a faster shot-to-shot time, better image stabilization and Eye-Fi support. The Q7 will cost the same $ 500 in kit form as its ancestor does today, although photographers will have to be patient when the tiny camera doesn’t hit retail until August.
Filed under: Cameras
Looking to save some coin on your tech purchases? Of course you are! In this roundup, we’ll run down a list of the freshest frugal buys, hand-picked with the help of the folks at Slickdeals. You’ll want to act fast, though, as many of these offerings won’t stick around long.
Sure, tablets and cameras discounted on the regular in our twice weekly roundup, but today an A/V system sees the big price drop. A Denon AVR-1613 receiver and Harmon Kardon HKTS 16 speaker bundle is reduced by over 50% with the aid of a simple discount code. All of the particulars, and the rest of the list, await on the other side of the break.
Samsung might not have shaken up its mirrorless camera line with the very evolutionary NX1100, however there’s tips at the FCC of larger things in store. A declaring at the United States company has verified the existence of an unannounced NX2000. On the surface, it’s comparable to its ancestors: labeling and checks point to a 20.3-megapixel CMOS sensor, a total familiar body design and the presence of 802.11 n WiFi. Nonetheless, there’s talk that the genuine focus for the NX2000 might be the user interface, not image quality. A purported photo making the rounds at Photo Rumors (after the break) lines up with the FCC listing while revealing an unforeseen back that includes both a touchscreen and a hardware home trick– although absolutely nothing is definite, it recommends Samsung could bring a smarter, possibly Android-based user interface to its mirrorless series. We’ll just understand simply how creative a camera the NX2000 is when it’s more official than a mix of regulatory clearances and reports.
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Nikon plainly wishes to make amends for its unspectacular J2 launch late last summer season: it’s introducing not one however two 1 series designs that provide a more powerful incentive to go Nikon amongst lower-end mirrorless cameras. The 14.2-megapixel J3 and 10.1-megapixel S1 primarily obtain hand-me-down functions from the semi-pro V2, although that’s not always a bad thing. The leftovers provide them uncommonly precise 73-point autofocusing and an updated Expeed 3A processor that can handle 15FPS burst photography with constant focus– 3 times the frame rate of the J2 in the exact same conditions. Apart from their resolution, the major separators in between the J3 and S1 are the J3′s inclusion of a simple panorama mode and a somewhat larger ISO array for the S1, which starts at ISO 100 versus the J3′s 160.
Both brand-new bodies ship in February, when the S1 will lower the 1 system’s entry price to $ 500 with an 11-27.5 mm lens, and the J3 will have a suitably in-between price of $ 600 with 10-30mm optics. The shooters will soon be joined by brand-new lenses and accessories, too. A 6.7-13mm (18-35mm equivalent), f/3.5 -5.6 wide-angle lens and a 10-100mm (27-270mm equivalent) f/4 -5.6 telephoto zoom do not have conclusive release dates, however ought to respectively cost $ 500 and $ 550. Diving scuba divers who want a J3 or S1 for their trips will likewise get a WP-N2 undersea case in February, albeit at a $ 750 cost that’s more pricey than the cameras themselves.
Continue reading Nikon reveals J3 and S1, takes 73-point AF and 15 fps stills to entry mirrorless camerasFiled under: Cameras, NikonCommentsSource: Nikon
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Is this a brand-new Polaroid camera? That ’ s what Photorumors is stating, backed up by a leak from Russian social networking site VK. The camera is a mirrorless interchangeable lens system, which marks a substantial departure from the business ’ s crown jewel instant film-based models, which were finally discontinued a few years back.
Polaroid has in fact encountered a couple different bankruptcy circumstances, however in 2009 signed a contract with Top Global Group to produce Polaroid-branded digital still cameras. It ’ s feasible this is the item of that recurring collaboration, however the origin of these reports suggest exercising caution before putting excessive stock in them.
The original hole detailed an Android 4-powered device with a 3.5-inch touchscreen, an 18.1 MP sensor, pop-up flash, Wi-Fi and HDMI/headphone out. It features a rounded edge design that looks noticeably comparable to the Nikon 1 J2 mirrorless camera. Later, a “ news release ” from VK provided more detail to Photorumors, consisting of the added info that it would use MicroSD for storage space.
We ’ ve already seen an Android-based camera from Samsung, so it isn ’ t a completely insane idea. However Polaroid would be signing up with a crowded area in the mirrorless compact space, with sturdy offerings from business with a great deal more experience. Still, in terms of importance, it ’ s hard to match the mirrorless area, which provides consumers cameras that aren ’ t as large as DSLRs without sacrificing too much in terms of image quality.
Even still, I wouldn ’ t put excessive faith in this being legit simply yet.
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Canon waited quite a while to get into the mirrorless interchangeable lens camera (MILC) market, biding its time as competitors like Olympus, Panasonic and Sony built up strong reputations for their own small, slim mirrorless designs. But earlier this year, it introduced the EOS M, its first MILC offering. That camera should hit store shelves by the end of this month, but I got to take it for a brief test drive at an event last night ahead of this week’s PhotoPlus conference in New York.
The EOS M is a surprisingly small camera. It probably seemed even more so because I was using it initially with Canon’s 24-70mm f/2.8 L lens attached via the official adapter ring (which brings with it full autofocus functionality by the way), but with the EF-M 22mm f/2 kit lens attached it’s actually pretty pocketable. It reminds me a lot of a bulkier PowerShot S100, right down to the very nice feeling matte magnesium alloy body. Also, I noticed that the 22mm lens is actually a very dark shade of grey, whereas the body is black. That’s on purpose, a Canon rep told me, and meant to ensure the lens complements both the white and black EOS M body.
One thing about the EOS M that immediately takes a little getting used to is the lack of physical controls, especially if you’re coming from a Canon DSLR. Much of the camera’s settings are managed via its capacitive touchscreen, which is incredibly responsive and provides convenient access to Canon’s well-designed software menu system. That said, pros will find themselves missing all the dials and buttons of their DSLR rigs, and advanced consumers might long for the lens-based control ring of the PowerShot S100 and new S110, but that’s not an issue of the EOS M’s design, it’s the result of design compromises needed to provide a MILC camera that’s uncluttered yet also small enough to be truly portable. Plus, using the touchscreen to review images, with its pinch-to-zoom features, is a much better experience than I’ve had in the past with non-touch digital cameras.
We were working with a professionally lit display space when taking photos at this event, and that means you had a lot of different lighting conditions, but all designed to benefit photographs. And I found that the EOS M did take great pictures with its 18MP APS-C sensor (it shares both this and its touchscreen display with the Rebel T4i), but the camera took a while to find focus in all cases. With autofocus, whether you’re using face detection or tap-to-focus on the touchscreen, the EOS M hunts for a while before settling in – the sensor-based AF just can’t keep up with DSLRs. If you’re looking for a comparable experience, imagine shooting only in live view mode on the T3i or T4i, using the default autofocus settings.
The EOS M’s autofocus system is more geared towards shooting video, and in that capacity combined with the STM kit lens, it works very well. Though I can’t speak to final output quality based on my experience, shooting video was a very good experiences with Canon’s MILC.
Finally, while I didn’t get too much time with the EOS M, it’s a camera that feels great in the hand and that lives up to the expectations of the MILC category. Canon’s big advantage over others in this space may just be the adapter ring, which makes it possible to use the EOS M with Canon’s extensive catalog of EF lenses, a huge selling point for existing Canon DSLR shooters who want something more portable to shore up their collection.
There have been plenty of false alarm systems in current months, but Canon’s very first mirrorless interchangeable lens camera (ILC) is finally here– in fact, we’re holding it in our hands. The EOS M is plainly reminiscent of a point-and-shoot, such as the company’s high-end PowerShot S100. Sure, Canon could have included a few of the devoted controls that its professional individual base would demand, however photojournalists aren’t the target here, for a couple of explanations. Canon’s primary incentive, a minimum of from an official viewpoint, was to create a video camera that serves to bridge the space between pocketable compacts and full-size DSLRs with a straightforward user interface made to enlighten, not intimidate. Even essential, however, was preventing cannibalization of the business’s low-end and mid-range Digital SLR models, which clearly still have a location in the schedule one tier above this ILC.
Customers eager to spare hardware controls for a touchscreen-driven UI won’t be missing out on out on much else– functionally, the EOS M is a near-clone of Rebel T4i with the exact same 18-megapixel APS-C CMOS sensing unit, DIGIC 5 processor and 3-inch touchscreen. Even the enhanced two-stage concentrating system has made its method from the T4i, which makes use of both phase-difference and contrast AF in order to achieve focus more effectively when capturing online video. The property design and lens mount are unlike any additional that Canon has actually produced, nevertheless, incorporating characteristics from additional styles without completely eliminating the requirement for a DSLR, or a compact for that matter. If you can easily get by without granular controls, you’ll do just great right here– the design truly is incredible. With an $ 800 cost, the EOS M falls within the upper rate of the mirrorless group, and it remains to be seen whether it will be a noticeable pick when it at last hits stores in October, a month after rivals tease their very own products at the gigantic Photokina expo in Germany. Exactly how does it fare today? You’ll find our impressions merely past the break.
camera hands-on (video presentation) initially appeared on Engadget on Mon, 23 Jul 2012 15:52:00 EDT. Please see our terms for usage
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Reports of a Canon mirrorless camera have actually circled the internet since long before Nikon’s foray into the compact ILC area. And while that manufacturer’s design fell far short of some expectations, it appears that Canon’s iteration may in fact have actually been worth the not-so-insignificant delay. Unlike the Nikon 1 Set, Canon’s new EOS M isn’t really a drastic departure from the business’s existing mid-range DSLR schedule. In fact, under the bonnet it’s fairly like the Rebel T4i, with an 18-megapixel APS-C CMOS sensor, DIGIC 5 processor, 3-inch 1.04 MP smudge-resistant touchscreen and the T4i’s brand-new hybrid autofocus system, which pairs both comparison and phase-difference AF for speedier, more precise performance. Externally, nevertheless, the EOS M looks more like a cross between the PowerShot G1 X and S100, tipping the scale at 14.2 ounces with the featured EF-M 22mm f/2 STM kit lens, compared with 27.4 ounces for the T4i, and 19 for the G1 X. It’s physically smaller than the G1 X also, and just slightly bigger than the pocketable S100. The video camera supplies a sensitivity selection in line with the competition, varying from 100 to 25,600 (extended) in still mode and 12,800 (extended) when shooting video– grabbed in 1920 x 1080 style at 24, 25 or 30 progressive frames per second. There’s additionally a constant shooting method at 4.3 frames per 2nd with set focus and exposure.
The EOS M’s control design ought to be more familiar to Canon point-and-shoot owners than DSLR individuals– as one component of the dimension concession, committed buttons are replaced with touchscreen options and a bit of food selection diving. There’s even no digital viewfinder, though a full-size hot shoe is consisted of with full support for Canon’s lineup of Speedlite flashes, consisting of the new $ 150 90EX strobe and ST-E3-RT Transmitter, and the GP-E2 GPS Receiver. Though the video camera lacks specific direct controls, it still supports full hand-operated shooting, even in video presentation mode. There’s also a built-in stereo mic with manual level adjustment. In addition to that 22mm kit optic, Canon is delivering an EF-M 18-55mm f/3.5 -5.6 IS STM lens for $ 300, or you can include the $ 200 EF-EOS M mount adapter to enable use with existing lenses. The $ 800 EOS M kit is set to ship in October, and will be available in retail stores in black, though Canon’s on-line store will also equip a white design (which will certainly be paired with the same black lens). You can easily peek at both configurations, along with the new lenses and accessories in the gallery below. Then shoot past the break for the full PR from Canon.
Gallery: Canon EOS M mirrorless camera
Michael Gorman contributed to this report.
CamerasCanon reveals EOS M mirrorless: 18 MP APS-C, EF compatibility, $ 800 in October with 22mm lens appeared on Engadget on Mon, 23 Jul 2012 00:00:00 EDT. Please see our terms for usage of feeds. Permalink|| E-mail this|Opinions
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In the riveting story of consumer electronics, the lowly point-and-shoot camera is about to be cut. Its days are numbered and cheap cameras are becoming increasingly less relevant as smartphones steal the limelight. The point-and-shoot camera will soon be just a supporting character.
Samsung sees the writing on the wall, too. Speaking with the Wall Street Journal, Han Myoung-sup, head of the company’s digital imaging division, indicated that the massive Korean empire will shift away from “low-end compact cameras” in an effort to concentrate on mirrorless cameras. This bet, which is the correct move by the way, shows the company’s foresight as it’s very similar to the one Samsung made several years ago when it decided to shift away from its own smartphone platforms and instead concentrate on Android. This will pay off big for Sammy.
Mirrorless cameras have so far seen a slow start. The technology forgoes the tradition bulky and complex mirror system found in digital SLR cameras. A properly named mirrorless system sits in its place, allowing the camera body to be significantly smaller than DSLR. In most cases, mirrorless camera bodies are as thin as the compact cameras they’re attempting to replace. The redesigned camera sensor is then paired with an interchangeable lens system, which allows camera makers to deploy higher quality (high margin) glass lenses.
As the WSJ points out, Samsung currently holds just 5% of this growing market, which is projected to rise 60% this year while point-and-shoot sales are decreasing. This focus shift should allow the company the freedom to further explore the market and position their mirrorless cameras as lovely companions for their widely popular Android smartphones.
Samsung’s current mirrorless camera lineup employs several smart features that make the models a compelling companion for current Samsung customers. Samsung is building around a single platform that leverages proprietary sharing functions. A Samsung smartphone can easily share pics to a Samsung TV while a Samsung mirrorless camera is using the smartphone’s wireless connectivity. It’s a family built on sharing and Samsung is the only company with the customer and product base large enough to pull off such a hat trick.
Samsung moved 20 million Galaxy S II smartphones in 2011. Samsung is the leader in TVs for six years running and sold two HDTVs every second last November. Much to Sony’s chagrin, consumers have been latching onto Samsung for the last several years and then just a few months back at CES 2012, the company unveiled its latest innovation that essentially connects all its products. Mirrorless cameras are a big part of that push.
For the most part mirrorless cameras can command a higher margin than point-and-shoots. They’re positioned as a premium product even if the manufacturing cost is similar to cheap p&s models. But right now, the models are still somewhat rare and stuck in a niche spot between the low-end budget cameras and pricy DSLR. Samsung is attempting to break it out and own the market.
This is the right move for Samsung. Moving away from budget cell phones paid off big time. Samsung is in a dominant position in smartphones. Doing the same with digital cameras will likely yield the same result. Look for Samsung to use similar tactics and flood the market with mirrorless cameras targeting different price points. But this is just part of a larger quest for Samsung. The company is attempting (and arguably succeeding) at becoming the global leader in consumer electronics. John put it correctly at CES: Samsung is the next Apple.