Posts Tagged ‘lenses’

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Brinno TLC200 Pro captures time lapse HDR images, sports interchangeable lenses

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Brinno TLC200 Pro captures time lapse HDR images, sports interchangeable lenses

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A dedicated time lapse camera is about as niche as a piece photo gear gets. But, we’ll say this about Brinno’s latest offering, it captures some pretty stunning clips. The TLC200 Pro is supposedly the world’s first such device that captures these dramatic clips in HDR. The 1.3 megapixel sensor weighs in at a healthy 1/3-inch, which means the pixels are much larger than your average sensor — in fact, they’re more than twice the size of those found in the HTC One UltraPixel shooter. The built-in lens sports an aperture of f/2.0 and a 112-degree wide angle field of view. But you can also slap on one of the available interchangeable lenses to alter that to your liking. About the only thing we could find to complain about (besides its limited functionality) is the fact that it captures video at only 720p. Unfortunately there’s no word on price yet, though we’re sure it’ll be a bit more than the non-Pro version of the TLC200, which will set you back $ 300. If you’re curious, there’s a whole host of sample footage after the break.

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Via: Gizmodo Australia

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Google Confirms Glass Will Eventually Work With Prescription Lenses

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Geeks rejoice! Hot off exciting news from SXSW, Google simply confirmed through the Google Glass G+ web page that Glass will, naturally, deal with prescribed lenses — that is, in future designs. The design is still in the works. Obviously the Traveler Edition is not suitable with customized lenses, but Google states to expect the brand-new design this year.

As noted in the uploading, the Google Glass design is modular, enabling a large array of options, including prescribed lenses. Revealed right here is Greg Priest-Dorman, a member of the Glass team and an early leader in wearable computing, putting on one of the prototypes presently in testing.

This shouldn ’ t come as much of a surprise. The team acknowledges that they comprehend it ’ s a vital design factor to consider. Since, well, a great deal of people have to wear glasses.

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Novo is a modified GoPro Hero3 that accepts C-Mount lenses, won’t be available for sale

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Novo is a modified GoPro Hero 3 that accepts CMount lenses, won't be available for sale

Having a tough time pertaining to grips with the GoPro Hero3′s completely affixed wide-angle lens? Possibly an interchangeable optic is within your field of vision. The Novo Digital Camera, created and meticulously constructed by View Aspect, is a Hero3 with a brand-new customized real estate, offering compatibility with C-Mount lenses while offering additional functionality, such as exposure control, digital zoom and adjustable buttons. Regrettably, due to the intricate assembly, Novo will not be offered for sale. Instead, Radiant Images in L.a will provide the rig as a rental kit, including a variety of lenses and add-ons. Pricing and accessibility has yet to be announced, though we should have a better concept of when you could (briefly) scoop one of these up “in the next couple weeks.” For now, the mass-market Hero3 will have to do.

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Sigma unveils three new MFT and Sony E-Mount lenses

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Sigma reveals three new MFT and Sony EMount lenses

In spite of the raves that current micro four-thirds and Sony E-Mount cameras have actually received of late, there’s still a dearth of lenses for the fledgeling systems contrasted to their even more entrenched equivalents. The good news is, Sigma‘s just contributed to the pool of autofocus-equipped designs for each system: updated 19mm F2.8 DN and 30mm F2.8 DN models along with an all-new 60mm F2.8 DN telephoto lens. Each Japan-made model has a “telecentric” optical design to minimize CMOS color problems, a metal outside with silver or black color choices, and a linear autofocus motor that Sigma claims is silent enough to utilize for video. At the same time, the imaging outfit additionally announced an updated 30mm, F1.4 DC HSM design for Canon APS-C, Nikon DX and its very own Sigma mount. All that’s terrific news, though we’re still awaiting an AF/electronic F1.4 or faster lens for E-Mount (there’s just one on MFT also)– though this might tide us over, in the meantime. See the PR after the break for more info.

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Sigma Firm announces four brand-new lenses at CP + Camera and Image Imaging Program 2013
January 29, 2013

Sigma Firm reveals 4 new lenses at CP + Camera and Picture Imaging Show 2013

APS-C format, E-Mount and Micro Four Thirds lenses feature streamlined new ‘Art’ item line design

YOKOHAMA, Japan – Jan. 29, 2013-Sigma Corporation of America a leading researcher, developer, supplier and service supplier of a few of the world’s most outstanding lines of lenses, cameras and flashes, today revealed the release of 4 brand-new lenses for the ART product, including 3 lenses for mirrorless interchangeable lens cameras and one lens for DSLR cameras with APS-C size sensors. This statement comes at the start of the CP + Camera and Picture Imaging Program 2013 this week in Yokohama, Japan.

The brand-new and updated Sigma lenses include the 30mm F1.4 DC HSM, which will be offered in Sigma, Canon and Nikon mounts, and the 30mm F2.8 DN, 19mm F2.8 DN and 60mm F2.8 DN lenses, which are available for both Micro Four Thirds and Sony E-Mount camera systems. Prices and accessibility on all these lenses has yet to be revealed.

The 60mm F2.8 DN lens is totally new to the Sigma lineup, while the 30mm F1.4 DC HSM and the 30mm F2.8 DN and 19mm F2.8 DN lenses are existing focal lengths that have actually been revamped with improved optical performance and consisted of as part of Sigma’s brand-new Global Vision group restructuring. All 3 DN lenses incorporate telecentric optical designs and a linear, vehicle focusing motor that guarantees precise and silent concentrating for video recording. They likewise boast metal exteriors and a merely shaped focus ring, with varying structures to distinguish each part of the lens. In addition, DN individuals could select between a black or silver finish to match their favored equipment.

“We’re truly proud of the extremely sharp lenses we’ve produced in the previous year and these new Art lenses will continue to excite our fans and critics alike. They’re optimal for the landscape, portrait, still-life, close-up and laid-back photographer who values creative, dramatic results above density and multifunction,” stated Mark Amir-Hamzeh, head of state of Sigma Company of America. “The lenses are completely made in Japan and they boast the brand-new product line’s sleek design and enhanced quality assurance. We’re quite proud of these modifications – and additions – to our lens lineup; they’re more evidence of Sigma’s forethought in this fast-moving sector.”

Below are more details on these brand-new lenses from Sigma:

& middot; 30mm F1.4 DC HSM Sigma’s new USB Dock, which will make it possible for firmware updates and concentrating adjustments, is anticipated to be readily available in coming months. – Sigma pioneered the large-aperture, APS-C format, basic lens group with its 30mm F1.4 lens in 2005. With new optical configurations of nine aspects in eight teams, along with rounded aperture cutters, this updated lens provides pleasing sharpness and a beautiful bokeh background. Its angle of view is equivalent to 45mm on a 35mm camera (which is comparable to that of human vision), its minimum concentrating distance is 11.8 inches and its maximum magnification ratio is 1:6.8. The lens’ enhanced power circulation helps to reduce area curvature, prevent a loss of image quality at the edges of pictures and produce superior image quality. Its double-aspheric lens minimizes spherical distortion, astigmatism and coma, and its rear focus system avoids focus-dependent variation in aberration. Together, the new optimized car focus (AF) algorithm and rear concentrating system ensure smooth and accurate concentrating. The brand-new 30mm F1.4 is additionally compatible with Sigma’s new USB Dock, which will enable firmware updates and concentrating adjustments, is expected to be offered in coming months.

& middot; 60mm F2.8 DN – Featuring the natural point of view of mid-range telephoto lenses, together with a shallow depth of field, this lens permits the photographer to catch a single part of a subject with excellent bokeh impacts. It has an angle of view equivalent to 120mm on the Micro 4 Thirds system and 90mm on the E-mount system (35mm equivalent focal length). The minimal focusing distance is 19.7 inches; the max magnification is 1:7.2. This lens additionally contains Special Low Dispersion (SLD) glass, which helps lessen axial and transverse chromatic aberration.

& middot; Sigma 19mm F2.8 DN – This high-performance, wide-angle telephoto lens has an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5 mm on the E-mount system (35mm equivalent focal length). As a wide-angle lens with exceptional mobility, it is optimal for studio photography, architecture and starry skies. Its minimum concentrating distance is 7.9 inches and its optimum magnification is 1:7.4.

& middot; Sigma 30mm F2.8 DN – This high-performance, standard telephoto lens has an angle of view equivalent to 60mm on the Micro Four Thirds system and 45mm on the E-mount system (35mm comparable focal length). This lens, which is perfect for casual and formal portraiture, documentary photography, travelogues and everyday shooting, consists of a double-sided aspherical lens that improves its optical efficiency. Its minimum concentrating distance of 11.8 inches and its max magnification is 1:8.1.

For details about Sigma Corporation of America, see www.sigmaphoto.com. For the complete news release for each of these new lenses, see Sigma’s news section at www.sigmaphoto.com/sigma-news.

About Sigma Company
For even more than 50 years, Sigma Corporation’s know-how and breakthrough has actually driven the business’s center approach of “understanding, plus experience, plus creativity, “with anemphasis on producing top notch, high-performance photographic technology. This family-owned company is the largest, independent SLR lens maker in the globe, producing more than even more than 45 lenses that work with most producers, consisting of Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Firm additionally produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically found throughout Europe, Asia and North America. For details, please go to www.sigmaphoto.com.

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Metabones Speedbooster guarantees much faster EF lenses when mounted on NEX cameras

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Metabones Speedbooster makes Canon EF lenses faster when mounted on NEX cameras

There aren’t a lot of lens adapters that catch our eye, but the $ 600 Metabones Speedbooster has numerous tricks up its sleeve that we could see it tempting a lot of major NEX camera users– like us. Huge words, but exactly what it purports to do is absolutely nothing short of mind-boggling. First of all, it adapts your Canon EF (full-frame) lenses to E-Mount, which is good enough since there’s still a scarceness of high-end glass for NEX individuals. However it improves: the Speedbooster additionally makes your lens larger by a factor of 0.71 x, shrinking an 85mm lens to 59mm, for circumstances– successfully making your NEX nearly full-frame. Other adapters can do some of that, but its final trick is the piece de resistance: enhancing the rate of a lens by a complete stop. That may appear impossible, however it evidently works by focusing the added light-gathering area of a full-frame lens to the smaller E-mount sensor location, turning an f4.0 lens into an f2.8 lens, for example. The adapter presumably raises sharpness on top of all that, and brings “auto-aperture, image stablization, EXIF and (sluggish) autofocus support,” for late design EF lenses, according to Metabones.

Hesitation reigns till we could scope it for ourselves, however the adapter came out shining on Philip Bloom‘s video and photo evaluates up until now, judging by his samples (below the break). The $ 600 cost will likely deter laid-back users, but light-deprived in the house shooters (like us) or those shopping for brand-new glass– who already have a bagful of EF-lenses– may take it like a sugar abuser to Trix. Metabones said they’ll begin shipping the Speedbooster this month, and will come out with MFT and Fuji-X mount options, together with support for lenses from Nikon and Leica, amongst others. Check the source to see how to get it, however the line types behind us.

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FIRST HANDS ON The Sony NEX-6 New E-mount Lenses

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FIRST HANDS ON The Sony NEX-6 New E-mount Lenses

For more information: pils. telehost. biz Just when you thought the NEX line was total, right here comes the NEX-6! Gladly nestled in between the NEX-5R and the NEX-7, the NEX-6 has the DSLR features you enjoy like a 16.1 megapixel APS-C sensor, up to 25600 ISO, and an inbuilt OLED viewfinder however still keeps its compact size with the addition of the new retractable power zoom 16-50mm f kit lens. However that’s not all; have a look at SGNL’s first-hand appearance at the NEX-6.
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Windows Phone 8 SDK leaks, references 3D Nokia Maps and Lenses camera improvements

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Windows Phone 8 apps

Microsoft’s Windows Phone 8 Software Development Kit (SDK) has leaked out onto the web ahead of its expected debut. Chinese site WPXAP has posted links to download the SDK and accompanying documents that provide additional details into the development options for Windows Phone 8. We’re digging into the documents right now, but it appears that the leak is a preview version of the SDK, indicating that Microsoft may be planning to release this kit officially in the coming weeks.

Parts of the documents include references to a new camera capability and lens apps, including real-time access to the phone’s video stream and lenses — special camera apps that provide additional effects and filters for cameras. The rumored 3D mode for Nokia Maps,…

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Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)

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Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)

There wasn’t much reason to upgrade with last year’s T3i, but that’s certainly not the case with the Canon EOS Rebel T4i. This new entry-level DSLR packs a redesigned 18-megapixel APS-C CMOS sensor with brand-new focus capabilities, enabling the camera to use both phase- and contrast-detection autofocus when paired with one of two new STM lenses. The center portion of the sensor uses traditional phase-detection technology, while points nearer to the perimeter aid by recognizing contrast in a scene, enabling a more accurate autofocus technique for both stills and video shooting. On the video front, the new lenses — an EF-S 18-135mm f/3.5-5.6 IS STM for $ 550 or the EF 40mm f/2.8 STM “pancake” for $ 200 — allow for much more silent zoom and focusing during video capture, so you don’t need to worry about those sensitive stereo mics picking up mechanical noise. The camera still did a bit of focus hunting while recording video during our hands-on, but autofocus performance was quite impressive while capturing stills, even in low light.

On the spec front, there’s an articulating 3-inch Clear View smudge-resistant glass LCD, with a 1.04-megapixel resolution and new capacitive multitouch functionality, letting you pinch and zoom pictures and tap your way through menus just the same — you’ll still have the full array of physical controls if you’d prefer to go that route. There’s the same bounty of video modes available with the T3i and T2i, including 1080 at 30p, 25p and 24p, 1080/60i and 50i, and VGA at 30 and 25 frames-per-second — there’s also a stereo mic on board, along with a dedicated microphone input jack on the side. In burst mode, the T4i can snap up to 5 consecutive frames per second. The camera also includes the same LP-E8 battery pack as previous Rebels, with a 1120mAh capacity. The Rebel T4i will be available in a body-only configuration for $ 850, $ 950 with the 18-55mm kit lens or $ 1200 with the new 18-135mm STM optic, all of which are set to ship later this month. If you feel that the new features don’t justify the price, you’ll rest easy knowing that Canon has no plans to pull the T3i from store shelves — that T2i, however, is destined for retirement.

Gallery: Canon Rebel T4i hands-on

Continue reading Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on)

Canon touts EOS Rebel T4i with improved video focusing system, EF-S 18-135mm and EF 40mm silent lenses (hands-on) originally appeared on Engadget on Fri, 08 Jun 2012 00:00:00 EDT. Please see our terms for use of feeds.

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Fujifilm M-Mount Adapter brings Leica lenses to the X-Pro1

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It’s not the cheapest, and it’s not the first, but if you’ve been holding out on picking up an M-Mount adapter for your X-Pro1 with the hope that Fujifilm with launch a Leica-friendly accessory of its own, your patience does appear to have paid off. The camera maker just announced its very own M-Mount Adapter, featuring a 27.8mm distance between the lens mount and the sensor, an aluminum and stainless steel construction, and three levels of distortion correction. After you upgrade your camera firmware to version 1.10 (or later), you’ll have access to an advanced M-Mount Adapter Settings menu, which utilizes pre-registered lens profiles and corrections. The software includes presets for 21mm, 24mm, 28mm and 35mm Leica lenses, leaving two additional slots for adding your own settings. You’ll need to hang in there for a few more weeks — the M-Mount Adapter is expected to ship for $ 200 in June. There’s full specs in the PR after the break.

Continue reading Fujifilm M-Mount Adapter brings Leica lenses to the X-Pro1

Fujifilm M-Mount Adapter brings Leica lenses to the X-Pro1 originally appeared on Engadget on Thu, 24 May 2012 00:01:00 EDT. Please see our terms for use of feeds.

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Could Google’s Project Glass be used in contact lenses?

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Contact lens display

Google’s now testing its Project Glass augmented reality glasses, but it sounds like this is only the first step in its AR plans. One of the engineers on Project Glass, Babak Parviz, is an associate professor at the University of Washington who specializes in bionanotechnology and helped to create a single pixel contact lens display, which was recently tested on live animals. Obviously, a lot more than a single pixel will be needed for this technology to be useful, Google appears to have the right people in place to take augmented realty from glasses to lenses. We’re years away from that being a reality, but it’s something to look forward to if you think the Project Glass hardware is just a bit too obtrusive to wear on a day-to-day…

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