Posts Tagged ‘interchangeable’

A dedicated time lapse camera is about as niche as a piece photo gear gets. But, we’ll say this about Brinno’s latest offering, it captures some pretty stunning clips. The TLC200 Pro is supposedly the world’s first such device that captures these dramatic clips in HDR. The 1.3 megapixel sensor weighs in at a healthy 1/3-inch, which means the pixels are much larger than your average sensor — in fact, they’re more than twice the size of those found in the HTC One UltraPixel shooter. The built-in lens sports an aperture of f/2.0 and a 112-degree wide angle field of view. But you can also slap on one of the available interchangeable lenses to alter that to your liking. About the only thing we could find to complain about (besides its limited functionality) is the fact that it captures video at only 720p. Unfortunately there’s no word on price yet, though we’re sure it’ll be a bit more than the non-Pro version of the TLC200, which will set you back $ 300. If you’re curious, there’s a whole host of sample footage after the break.

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Via: Gizmodo Australia

Source: Brinno

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Canon waited quite a while to get into the mirrorless interchangeable lens camera (MILC) market, biding its time as competitors like Olympus, Panasonic and Sony built up strong reputations for their own small, slim mirrorless designs. But earlier this year, it introduced the EOS M, its first MILC offering. That camera should hit store shelves by the end of this month, but I got to take it for a brief test drive at an event last night ahead of this week’s PhotoPlus conference in New York.

The EOS M is a surprisingly small camera. It probably seemed even more so because I was using it initially with Canon’s 24-70mm f/2.8 L lens attached via the official adapter ring (which brings with it full autofocus functionality by the way), but with the EF-M 22mm f/2 kit lens attached it’s actually pretty pocketable. It reminds me a lot of a bulkier PowerShot S100, right down to the very nice feeling matte magnesium alloy body. Also, I noticed that the 22mm lens is actually a very dark shade of grey, whereas the body is black. That’s on purpose, a Canon rep told me, and meant to ensure the lens complements both the white and black EOS M body.

One thing about the EOS M that immediately takes a little getting used to is the lack of physical controls, especially if you’re coming from a Canon DSLR. Much of the camera’s settings are managed via its capacitive touchscreen, which is incredibly responsive and provides convenient access to Canon’s well-designed software menu system. That said, pros will find themselves missing all the dials and buttons of their DSLR rigs, and advanced consumers might long for the lens-based control ring of the PowerShot S100 and new S110, but that’s not an issue of the EOS M’s design, it’s the result of design compromises needed to provide a MILC camera that’s uncluttered yet also small enough to be truly portable. Plus, using the touchscreen to review images, with its pinch-to-zoom features, is a much better experience than I’ve had in the past with non-touch digital cameras.

We were working with a professionally lit display space when taking photos at this event, and that means you had a lot of different lighting conditions, but all designed to benefit photographs. And I found that the EOS M did take great pictures with its 18MP APS-C sensor (it shares both this and its touchscreen display with the Rebel T4i), but the camera took a while to find focus in all cases. With autofocus, whether you’re using face detection or tap-to-focus on the touchscreen, the EOS M hunts for a while before settling in – the sensor-based AF just can’t keep up with DSLRs. If you’re looking for a comparable experience, imagine shooting only in live view mode on the T3i or T4i, using the default autofocus settings.

The EOS M’s autofocus system is more geared towards shooting video, and in that capacity combined with the STM kit lens, it works very well. Though I can’t speak to final output quality based on my experience, shooting video was a very good experiences with Canon’s MILC.

Finally, while I didn’t get too much time with the EOS M, it’s a camera that feels great in the hand and that lives up to the expectations of the MILC category. Canon’s big advantage over others in this space may just be the adapter ring, which makes it possible to use the EOS M with Canon’s extensive catalog of EF lenses, a huge selling point for existing Canon DSLR shooters who want something more portable to shore up their collection.

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Buy Now From AMAZON US is.gd Product Description Sony Interchangeable Lens This Kit Includes! 1- Sony Alpha NEX-7 Interchangeable Lens Digital Camera w/18-55mm Lens (Red) w/ All Supplied Accessories 1- 16GB SDHC Memory Card (Don’t Miss a Memory!) 1- USB SDHC Memory Card Reader (Download Images Quicker!) 1- Lithium Ion High Capacity Battery (Great for Vacation!) 1- UV Filter (Protect Your Lens!) 1- Shock Proof Case (Protect Your Camera!) 1- Memory Card Wallet (Protect Your Photos!) 1- Pack of LCD Screen Protectors (Protect from Dust And Scratches!) 1- Lens/LCD Cleaning Kit 1- Mini Table Size Tripod More About This Camera! Sony’s Alpha NEX-7 Digital Camera with 18-55mm Lens is an extremely high 24.3Mp resolution camera with the aforementioned lens included. You can start shooting from day one with this combo, the 18-55mm lens of course being just one of the numerous lens options you have for this Sony E-Mount compatible camera. Non-Sony lenses are compatible with the camera as well using an optional adapter. Known for their compact size, versatility, and interchangeable lens feature Sony’s NEX cameras are a digital revolution in the photo world. You can shoot creatively without being worn down by a heavy DSLR rig. In addition, you can also capture 1920 x 1080p HD video, another hallmark of the genre. No matter what you’re shooting however, video or stills, the camera’s APS-C sensor and the BIONZ image processor work together to help create rich, clear, and incredibly …
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The interchangeable lens camera market grew by one this week, following Fujifilm’s confirmation of its new X-Pro1. The 16 megapixel APS-C ILC may be in fact be a mirrorless model, but company reps prefer that you don’t use “the M-word,” insisting that the shooter stands alone in its own category as a “premium” interchangeable lens camera. And after spending an hour with the oversized, solidly-built ILC and viewing a variety of comparison samples, it’s not difficult to confirm that the assessment may not be far off. The entire hands-on experience was in line with that premium claim — from the white gloves we were required to use when handling the camera to the Japanese design lead taking care to make sure sample models were clean of markings and positioned just right, it’s clear that Fujifilm is taking this launch very seriously, and you should, too. Join us past the break for an early CES look at what may very well be the sharpest mirrorless interchangeable lens camera to date.

Continue reading Fujifilm X-Pro1 interchangeable lens camera preview (video)

Fujifilm X-Pro1 interchangeable lens camera preview (video) originally appeared on Engadget on Wed, 11 Jan 2012 15:07:00 EDT. Please see our terms for use of feeds.

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There are some cameras that we absolutely love, some we find downright disappointing and others that get the job done, albeit with mediocre results. Samsung’s digital imaging devices typically fall within that last category — they’re moderately innovative, generally affordable and often well-designed, but when it comes to image quality and performance, we’re left… underwhelmed. So, when we first had a chance to try out the CE giant’s new NX200 at IFA in Berlin, we weren’t expecting a mind-blowing imaging device.

The NX200 is Samsung’s latest entrant into the interchangeable lens (ILC) category — it’s a mirrorless model, to be more precise, and a fairly impressive one at that — at least when you glance at the spec sheet. It’s the company’s latest ILC to use an APS-C size sensor, which is the largest we’ve seen in a mirrorless cam. This sensor type implies that the NX200 may have a chance at competing with Sony’s NEX-C3, which has been our top pick in the category, and its 20.3 megapixel rating suggests that Samsung wants to be taken seriously here, with a true contender on its hands. But has Samsung delivered a winner? Jump past the break for our take.

Continue reading Samsung NX200 interchangeable lens camera review

Samsung NX200 interchangeable lens camera review originally appeared on Engadget on Tue, 13 Dec 2011 11:00:00 EDT. Please see our terms for use of feeds.

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Yesterday, the Sony NEX-C3 was the world’s smallest interchangeable lens digital camera. It’s not anymore. That title now belongs to the Pentax Q. To achieve the camera’s incredibly small body size, Pentax had to shrink the sensor as well, making the Q not only the world’s smallest interchangeable lens camera (ILC), but also the cam with the world’s smallest sensor in an ILC. The Q uses a 12.4 megapixel, 1/2.3-inch backlit CMOS image sensor, manufactured by Sony — significantly smaller than the 4/3 and APS-C sensors used in Micro Four Thirds and Sony NEX-series cameras, respectively. As image quality is dependent on sensor size, the Q won’t be able to compete directly with any other ILC — instead, its images are most comparable to those you’d capture with a traditional digital compact (which, ahem, don’t cost $ 800).

The Q will ship in late September or early October with a 47mm f/1.9 kit lens for about $ 800, and will be available in black or white — abandoning the incredibly diverse color palette offered with other Pentax DSLRs. It will also be compatible with a 27.5-83mm zoom ($ 300), a 160-degree fisheye ($ 130), and 35mm and 100mm “toy camera” lenses ($ 80 each). The ILC will shoot 1080p/30 video with h.264 compression, 5 fps stills, and includes an HVGA-resolution 3-inch LCD and unique pop-up flash. A dedicated bokeh filter makes up for the camera’s natural inability to capture images with a shallow depth of field. During our brief hands-on, images captured at up to the Q’s highest available sensitivity of ISO 6400 appeared to be usable, at least based on a magnified LCD view (we weren’t permitted to capture images to our own SD card). The cam offers traditional DSLR capture modes, in addition a a variety of creative modes and Smart Effect Options, including an HDR capture mode. The version Pentax had on hand wasn’t fully baked, but jump past the break for our video walkthrough with a product manager.

Continue reading Pentax releases Q, world’s smallest interchangeable lens digital camera (hands-on video)

Pentax releases Q, world’s smallest interchangeable lens digital camera (hands-on video) originally appeared on Engadget on Thu, 23 Jun 2011 00:01:00 EDT. Please see our terms for use of feeds.

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It seems someone hit the “go” button a little early over at Pentax, as for a few brief minutes a new camera called the Q appeared, with pictures and specs. It’s an interchangeable lens system with a rather small sensor (1/2.3″, which is what’s in many point and shoots), though unfortunately no information on the new lens mount (called Q as well) other than the one on the camera in the picture, an 8.5mm F/1.9.

The price is supposedly $ 800, though it’s not clear whether that’s with a kit lens or no. I’ve got to say, that off-white color is pretty nasty. Give me good old black/silver any day. I’d expect an official announcement shortly.

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Right on schedule, Panasonic’s gone and made its thinly-veiled Lumix DMC-G3 Micro Four Thirds shooter official. The Micro Four Thirds shooter succeeds the G2 with a a 16 megapixel sensor, support for 1080p AVCHD video recording with stereo audio, 4fps burst shooting at full resolution, and an articulating, 3-inch touchscreen that supplants some of the dials adorning the last-gen model. In addition to poking around menus, you can touch that display to focus on your subject, and slide your finger to tweak exposure, white balance, and depth of field — all in all, not unlike how you might interact with a smartphone camera. And, at 11.8 ounces, the aluminum-clad body weighs about ten percent less than its predecessor. Look for it in June for $ 700 in brown, red, and white — in addition to your garden-variety black. In the market for something more compact? Panny also trotted out the Lumix-FH7, a 16 megapixel point-and-shoot with 4x optical zoom and 720p movie recording. Oodles of photos below with a press release after the break.

Continue reading Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen

Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen originally appeared on Engadget on Thu, 12 May 2011 04:00:00 EDT. Please see our terms for use of feeds.

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Right on schedule, Panasonic’s gone and made its thinly-veiled Lumix DMC-G3 Micro Four Thirds shooter official. The Micro Four Thirds shooter succeeds the G2 with a a 16 megapixel sensor, support for 1080p AVCHD video recording with stereo audio, 4fps burst shooting at full resolution, and an articulating, 3-inch touchscreen that supplants some of the dials adorning the last-gen model. In addition to poking around menus, you can touch that display to focus on your subject, and slide your finger to tweak exposure, white balance, and depth of field — all in all, not unlike how you might interact with a smartphone camera. And, at 11.8 ounces, the aluminum-clad body weighs about ten percent less than its predecessor. Look for it in June for $ 700 in brown, red, and white — in addition to your garden-variety black. In the market for something more compact? Panny also trotted out the Lumix-FH7, a 16 megapixel point-and-shoot with 4x optical zoom and 720p movie recording. Oodles of photos below with a press release after the break.

Continue reading Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen

Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen originally appeared on Engadget on Thu, 12 May 2011 04:00:00 EDT. Please see our terms for use of feeds.

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• Panasonic Lumix DMC-G3 ups the interchangeable lens ante with fancy new touchscreen
• Nikon Coolpix S80 14.1 MP Digital Camera with 3.5-Inch OLED Touchscreen and 5x Wide-Angle Zoom Nikkor ED Lens (Blue)
• Nikon Coolpix S80 14.1 MP Digital Camera with 3.5-Inch OLED Touchscreen and 5x Wide-Angle Zoom Nikkor ED Lens (Red)
• Nikon Coolpix S80 14.1 MP Digital Camera with 3.5-Inch OLED Touchscreen and 5x Wide-Angle Zoom Nikkor ED Lens (Pink)
• Nikon Coolpix S80 14.1 MP Digital Camera with 3.5-Inch OLED Touchscreen and 5x Wide-Angle Zoom Nikkor ED Lens (Silver)

Well, would you look at that? The rumor mill nailed it once more, and we couldn’t be happier about it. Here at Photokina, Panasonic just removed the veil from its glistening Lumix GH2, a followup camera that looks to be worth every penny it’ll cost you to upgrade. There’s a 16 megapixel Live MOS sensor, SD / SDHC / SDXC memory card slot, Micro Four Thirds mount, 23 points of auto focus tracking, face detection and so, so much more. Like what, you ask? Like an ISO range from 160 to 12800, hot shoe accessory mount, 3-inch rear LCD, mini HDMI output, USB 2.0 connectivity, a 2.5mm remote / external microphone input and a 1080/60i movie mode.

Read on for more…

Continue reading Panasonic’s $ 900 Lumix GH2 officially debuts: 16MP, 1080p movie mode, 3D interchangeable lens

Panasonic’s $ 900 Lumix GH2 officially debuts: 16MP, 1080p movie mode, 3D interchangeable lens originally appeared on Engadget on Tue, 21 Sep 2010 04:00:00 EDT. Please see our terms for use of feeds.

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